不安分的年_`[轻人们

《不安分的年_`[轻人们》讲述的是什么故事？

《不安分的年_`[轻人们》Midd le class stud;:=ent Bo]%b- L
) etellier! ; enters a new wo %rld when $he$ meets Alain,:, a free-thinking re/ bel /;\who., along with his group o( +f young :Parisians,:! h)=.as opte`+ d *#!.f+
;or( a li`-fe of inst$ant * g]ra
tification instead of work and com_+]m *+itment. At a part; ,y , Bob mee:ts a \ young wom,?an, Mi,*;c
, who appea\\r_?s to  _be just as c\;\arefree and c$$![ynica `*l:  a=!
/s[ +]A#lain. Mic's on$ly dream is :)to own a luxur/^\y(_ car, (?*an`#d _`_@with B@ob's help, she;+$ manages to find the *!mo[-ne y ,to but it. Mic's@, friend(? Clo disc!`overs she i =s p
re]gnant and, not` kno !wing who the %f?athe;r is, s%he ask/:s Bo;b $to mar]-ry her#
$. Whe- n they] next meet at a p :arty, Bob and Mic deny th:_at they ha]%ve any feeli@:
ngs for %^one anoth! er - a declara_tion t`hat soon leads to :.tra
!gedy. :..#　　　　Marcel Car=
,né=( i%s w [?idely regard %#ed as one of the .st:
andard be
are/*rs )#of French quality cinema+ of t$he 19/30s and\ 1940s, responsibl:
#e(_ for such masterpieces as Qua-i des .brumes (%!1938) and Les Enf#ants du Para;dis (19^45). How ironi-;c*[# then tha[]t, in] 1958,? towa ??rds the$ end?( of his fil]m
-making career, /:)h#e shou#]ld mak!_++e a(: fil m which ]/dared t)+o *portray! the =attitudes and beh
avio\ur of @?]the 195)0/s you!+* #t;]/)h, in a way th.
at effec/t+ive^ ly capture\s t):/he mood and sentiment *@@of the time.　　　　Les Trich*+eurs was a ]\h!u\*/gely controve(,rsial% f()/i*/l!!m, n
ot l+]east b #ecause of ? #it!_s blat$ ant depi]-ct[@ion of [/adolesce]nt,$$- free-love, and was even bann  ed-; in some r ?eg* ions of Fr) ance. It al$s@]o received some in
`-tensel ]-y un!,fa\;vourable= rev%iews, most% ]%)no$$tably \@fr?)\o!*
m the young hotheads on the Cahiers*= du?
cinéma suc?h as Fr:#ançois T\$ruffaut) who cited th.is_^ film a!s a _p`rime e[:;xamp@^le [*of the decli(
n]
=e of F@re:$nch?]$ c%^in]!ema *%into m%ediocri= ty. In _spite of )`all this negative press, the film proved to b,e an astonishing  (com_+% mercial success, attracti*ng five [:mil: lion /:@%cinema`-goe!r$\\,s, a
*n;\d w/as  award(ed #/the Grand ]Prix !d)$u Ciném%:a f!,%_rançais in 1958.　　　　Whilst Le+s T:r%`%ic)_heurs is not ,! )as flawle[:!s?s as C;:arné'(s ear?lier masterpieces, it is nonetheles -/s a significant w.+]ork, having the(  power to both shock and (;move its audience, whilst having great e,%;nte` _\rtainment v[[`alue. It) evokes t-#he moo%]d of it$s t$*\im^.e!
_ in a way that few French f\_)il)ms of this period did, depic, tin?%`g you.ng !p!=[eople a/s pleasur;e-se$_eking rebels, re:` jec(]tin:g ?:[/the austerity and disciplin ,e of` the previo.`us generati:-_`on whilst pu/-]rsu,i\-ng a life
 without c([ares, respon+sibilities or  lo#ve. \Sim/][il]:\ ariti$es with J+ames Dean's  fi)lms of `the[ 19\)50,?s@ 
(most notably Rebel without a Cause) are apparen.@t, althoug$`h% *@ Car\.?n`é's tr eatment of [youn$=$$g peopl].:e is@`!+ far:)` more abstract - in h *?is film they me)rely symbolise a wo%]rld ^.t?hat has l\ost its way,_^ mo.)re or le`\ss vic@+tims of post-w.a!(*r prosper) ity. $:Although the% young people`(\= in@ Les Tric]+heurs lack !the:, authenticity* to!# #_!.be t ]otally credible, the film does [,^make an im_portant, and inde:`!e,d qu,ite dist[!urbing poin)t, about w)#here the permissiv(]e soc;iet\y: m?`ay $:;be head;/ing.　　　　M/=\!uch of the ;/pleasu$re of t;*@%he f[i!lm is in `(\t#he$![ performances= from its four lead a /]ctors, Jacqu% (es Char_#ri=?^_er! !, %);Pascale $[Pe(tit, Laur#^`/+ent Terzie%%ff/ a-@%nd 
Andréa Parisy, al/%t\[hou[ gh ./ only Terzieff is( re %^ally convincing in h[
is r``ole. Marce?l =) Carné ^_o/`riginally co.;nsidered Alain Delon and __J!/ea)+n-Paul Be lmo*@ndo for the parts of Bo )%`b and ]@Alai%_n^ respectiv#ely, b_e*fore %op%*(ting [ for Charrier,$ and Terzieff. A s a cons[ol_ation-, Carné offered \#*Be!lmondo a s)*malle?.!:r ;_part in the film -% alas too smal`l for the/
actor to be ]\noticed by @]the %*pub/;lic. Belm\
ondo;.',%%\s breakthro];+ ug,%
h had to wai@\]t until the f)ollow:]-ing year wh)[^en he st -arre*d # in J\
;ean-Luc Godard's r)(evolutionary A bo\u/(t de ]^/souffle, a film 
[w,h %-i`ch offers a very dif ferent persp)ective #%@of t`!h\ /e youth:- gen-*e?]+rati*,on. 本页整理剧情介绍、演员阵容、播放线路和更新时间，方便用户快速了解影片并继续观看。

一、《不安分的年_`[轻人们》是哪一年上映的？

《不安分的年_`[轻人们》是马塞尔·卡尔内参与创作的剧情片作品，1958年在法国地区推出。

二、《不安分的年_`[轻人们》有哪些演员？

该片由帕斯卡尔·普缇,安德丽·帕里西,雅克·夏里尔,洛朗·特兹弗,让-保罗·贝尔蒙多,达妮·萨瓦尔等演员主演，人物关系、情绪变化和叙事节奏共同构成影片的主要看点。

三、在哪里可以观看《不安分的年_`[轻人们》？

宅男影院（www.dnt1.com）提供《不安分的年_`[轻人们》在线播放入口，并整理清晰的选集列表与播放线路。

四、如何评价《不安分的年_`[轻人们》？

从类型表达、演员表现和剧情推进来看，《不安分的年_`[轻人们》适合喜欢剧情片内容的观众，页面也会持续更新相关播放资料。