关于\!*$在短时间内的$+某几个人的经过

《关于\!*$在短时间内的$+某几个人的经过》讲述的是什么故事？

《关于\!*$在短时间内的$+某几个人的经过》Voice 1 (male profe-ssio@nal announcer type) :`Th][is neighborhood(1) was ma,d e _%for the wr_+et\ ched `,d@[ignity of`. the petty- bourgeois\ `?ie, for respectable--((. -@#o
ccupa_$tions and intellectual`\ tourism. The sedentary^) population of !@t-)(
h]^]e u `=pper_]% floors was -];)]sh@)eltered f[rom the influe.nces o.?f the ]s$]tr)eet. !_Th$%is neig*\;hbo rho\ od h_as rem_ained the?. same. It- w]`as #the strange@^` s

#e,]tti@(ng of 
-,our s]tory, where  a systematic q.uestioning of all the diversions- and wor[*ks ;of a\$ society, a ^ total $?crit_::[ique of its=% id(;ea of hap%; piness, was ex=/*pressed in acts.　(　(((These people also scorned sub_[jecti_ve profundi ty. They %were i/%ntereste?d in not^(/,hi;ng b[/ ut an a-dequate an^=d concrete expr.es sion of@) themse%=lves.　　Voice 2 (Deb;o[
#rd, mo-[notone_,) Human (
-bei ngs are not fu^(%l +ly con;#scious] of t_]
he,ir r%eal@\ l@  #if
e - usually gr$*o%?]p@`ing in the dark; :-overwhelmed by the consequences of: @:t?^$!heir a$(cts; at*  every mom ent\ gr(oups/^ and
$i=+ndivid%`u.als find th(emsel?; ves! confr,+on/.ted wit-.?h res@ults the#y h#ave not wis]hed.　　Voice$ 1 They said th. at ob[)liv?[ion was the?ir ruling pas)+ sion,. Th(ey $wan[`)`ted $,to reinve*/nt eve@rything each day *; to become th].e masters and posses`sor,%s of th#ei* r% ow/)n lives.　　Just as ])*one doe!s not ju#d],ge a ..]m$%(an acc%?o.r!ding to`! the conception he has of hi)-\ms
?e@lf, -?one cannot judge ][such peri(!o`^ds of trans/
ition accordi`ng?@
+ to` their o.@wn cons@ciousness; on the_.[ c#ontrary, one
 must expl)(ain _the consciousness t$?hr_ough the co\ntradictions o?;f ma.t@+erial life, t*(
hro ^ugh t
he conflict between*%]+ so =/cial conditions and the forc
es of?$ social pr_odu) ction.　　The ^#pro
@gress :(^ac*hieved in? the dom-#/in[(?ation of nature was not ye.t matched by a $co;rresponding ^=liberation +*of (=everyd_ay li?fe. Y`outh passed away among th *e !various controls o/!f resignat:_@ion.　　Ou + r \camera has
!# captured f%or you  +a few as`/pec!ts of a provisional microsociety.　　The k].n;ow ledge of empi+]rical facts rem /( ains abstract* and su$![%perficial as long^ as it is n*$)ot #^concretized by; its inte 
gration into @^- the whole ” which al:?o
ne p,,?=ermits `the sup%$ersession ?)of] \partia( ,l :
-and abstract ? `^pr,%oblem)s s=o as to arrive at  the]-=i
/r-  concrete essence$+ , and implic itly at their meaning.　　This group was on the m+argins: of the economy. It[: tended towa +rd a role of pure consu(%/?mp(,@tion,--.? and first of all the free c\ @onsum_-;pti*on %/[of !=its _+time. It thu]/;s\ found itsel?=f dire
;ctly engaged i;%n qua-lit*/-ative variations of^; everyday^[
l;ife(+ but d[,]e^%]
prived\# of any?` means to interv.* ene in+ t^+hem[\.　　Th) e gro/($up ranged% !over a v
er ^y small ar]@ea. The same ti% mes brought them-\ back=\@ to the same/=! pl%(%ace;s. N;)%o one went to b+[ ed early. Discussion on^= the !@meanin;g of a
__ll th+i- [s;/( c-_ontinued...　#　Voice `2 O$,\ur  li fe is /a j*ourne@y ,):$” In the *?win@ ter! ^]+ and the night. ^ ” We seek o)[ +ur pas.+#\sage...$]�　　Voice 1 The abandoned literature n`\=everthel* e#ss exe-]#rted a -dela# yin( g acti\on @on new aff,`ec%ti$ve formulations.　　V,oice 2 The!re was th:e fa
_\t(?igue and th\/+e col_d of the mo],rning in this mu-ch-tr+:av;er,-sed labyri#/^nth, like;+! an )enig:ma/ th/;at we (% ha`d t[`o res?olve@?-. `!It w#as a lookin,%(g-_=:^glass reality through which w*e;_/; had+= to disc=:over t(he pot=: ential ri\,)c_)`hne+@-ss of reality.　　On the ba,nk of the rive r eve+ :ning began once agai$*?^n; and caresse(:+s; and the ]importance?% o_ f a wo,rld without importanc=e. Just as the eyes have a blurred vis i-on o `f many th]# ings and can s(/ee /?o[+nly=` on*e _clearly, so the ^=will,-[ can strive only incompletely :(-toward; div/er +/se o
bjects and can@ c[!.!om
pl@etely love only #@one a? ,t a tim)+e.　　Voic e _. @(3  (young g\%irl) No one* c,ounted on the futu,:re. It would n;e=ver be 
possible to b? )e to+-@,g.
%ether
?` later, or @aywhere el]se. There would never be a greater fre# edom.　　Voice 1 The refu]*sa[+l of tim@(e @\^ and of#$ grow!ing old !!automat+ically limited enco# u=@nters $in this na!rrow, con`@tingent zone, wher?e w,hat was lacking was felt.` a,.s irre%[_par+_able. The extreme precariousness `of th^,!e me/ ans #^of g/#etting by \+without working ]/was at, the root of_/ this imp@! atien^ c^=e.` which.: + made excesses ne=  cessar+@y ?and breaks/ defini*tive.!-?　　Voice `2 One never re(;@)ally co\ ntests an @:*orga ni-[zation  ?o@f exi$stence without con[testi!; /ng+% all of th*at organizat++i^on's  for=^ ms of lan[.guage.　　Voice 1 When freedom
#` is practi 
-ce.d in a *-close!]d circ.le, it fade=s into a d_%r]eam,
% beco/?`mes ,?) a mere represen$ t; ation,! of=/;: itself. T] he a^mbi?\)`=ance of p_ _;lay is by nature unstabl e. A`t ,any m-oment or?din$ary lif#\/@e� can pr?!evail once again. The@ geog

/rap
#hi#*c]-al l]imita\`- ti-(on of p](lay. is ev!en m?ore* striki_% ng than its te%.m/por$\+al li^mitation. Any game takes place wit*(hin th ! e contours  of its spatial doma +in. Around the@ neigh^$borho/;od, around its +(`?f :leeting, and threatened immobility,[ :, stre \tched a ha/(lf [/-kno.]w_*`n c-:ity where people met only by ch(
? ance, losing= t heir way; forever.　　T\__he g[*irls $w$$! ho found their way there)-, bec]_ause they were[ lega:lly under-=; the control of %-their.
fami#:lies `\until the^ age of eighte
en,
% were often recaptured by th,?*e defe.*nders of/ that detestab  le institut;!` ion. Th +*#e$!#y\[ were g_e^)n/;[/erally co(.@ nfined) under the gua]/_rd of )]those creatures: who among all the bad -@!products 
*of@; _ a bad soci`%( ety :][are the most- ugly#/ =* a@nd _repugnant nuns.　　What usually m\)ak%=-es d-:?ocu /mentaries so easy to understand is] the arbitrary li];mita#);tio,/#n(: o%f thei% r ;su-?bject$ ma\;tt er. [ They de!scr:?+ibe the atomizat/ion of soc.?\ial f*unct_ion s and t-he- is^][ol+ation of their pro=( *duc;ts. One can, in co=ntra%%/st, en@visage the! en tire com@plexity of=? a moment wh`[(ich is not%-
$ $resolved]* ;))into a ]]w)ork, a mom^#$en*t who@se ^m! [ ovement indissolub.ly contains facts an!
d va_+lues and whose m\e=/a[/-(=ning[, does `@ /!not yet: a])::ppe=/ar.!!,. The s%.ubject! = matter of ``t+@,h$e -docu.mentary wo uld then be this) c^?onfused totalit@#.y.　　Voice 2 The era had ar-)r,ived [at a ;^le ve?%^l [;o=!f kno\$wl/edg].e and technical means that made possibl._e, and increasingly ne)!
cessar]y, a dir^)\ ect construct#io+!n of all aspe]= cts :o\f a liberate!+d affective
` an:d :+prac)ti;cal exi,ste
\[nce. The ap\pe%])aran/*ce._= of thes!\[e su/!
pe:[r+ [ior means of - action].^ _, still@^% u#-nused @\because of the delays in $_the proj\!]ect of`+, _l._iquid*,ating the c%#ommodity ec#:ono@* my, had already cond^-,emned aesth %@etic ac*\ti/vi,ty,]. whose (;ambitio/@ns and p,_owers w! ere bot h out?date :d. The decay of art * and ;=?o`$f all t@_+he v *a(,lues of] former mores! had f?@)ormed =@our sociological]$ ba*ckgr!@oun% d. The ru,ling class'^s monopoly over the instruments[] we ne]]eded to[. cont!.^rol in o,`rder @.t+_o realize the! c\=ollectiv[#$e ?art o f@^= our  ^;;ti^*me h:[`ad excluded us
 from a cultural pr%\;oduction.[ off*;icially devo/.t^e/d to ill[-ustrat(ing and r?epeat_ing( ?the p@=ast\.-. An ar`;*t film on= this .\g*enerati@;\,on ca !n#=# only be a f+(i
=lm $on it=s ab)s+=`ence of real :=creation s.　　E
(
*veryone unthinki] `-ngly - followed the pa@%ths lear%-./ned on
#,c*e-/+ and )
f-or all, to thei.r work a\ ?@nd )^?their home, to t@]heir pr edict$-!abl@e futu$:re. Fo:r them^ duty ?:@:had al\(@ready be]
co))[m]e a ?
, h% ;abit, and]` hab*; it a :\du # .ty. They d%(])id not = :see th= :e de$*(ficiency $ .of their city. They +,thought ;\=th)e defi.[:c%iency of th$ei ` -r life)@-- was natur_[-al. $We wanted! to break out# o^]f this /condi=^%tionin`[=g, in que
/st of another use of the urb[[ an lands/
cape, in quest of - new passions. T+=he/ at[%mo);sphere of a few places gave [us i ^n:t@``imations\$ of the future powers\ of a@[=n ar!c@hitecture / .i/_+t woul/*d b
%.e necess_ary to create^ # t:o be) the support and f+ ramework? ! for less m+;ediocre games. / -W$.e _+/ coul\d ex+)pec-+t nothin%)g of anything w%__*e had not
 ourselves altered.^
Th%/@e urban en=vironment procla=im^/$ed ;the orders *a$_nd tastes 
of ))the rulin*^g[$ socie_(()ty just as vio[len@,
=*tly as t \.he newspapers. I__t is m]an who makes th`[
e unity of t%@he world, but
 man ha -s extend e;@d himself e/ verywhe/^*re?.\. People can see nothing@)@  arou@nd them that is not their ^own i$m)-^age; ever^\y:)thing speaks to them of?] themselves. The*__:ir very landscape is alive+$. There were ob)`stacles everywhere. There was a .=co-hes ion in [)]t;;he obstacles
! o
.@ f@ all :typ@es. T@hey \maintain-ed the coherent rei=/gn o! f poverty. Everythin*]
g b-ei)ng conne```cted, it w_*as nec,ess(
%ary to change e!/,veryth]@)ing b]=y /a un^+`[ita=]%ry
struggle:, or not
hing.:??? It was n%%ecessary to`]+ li\?nk`%)? up wi`$th the masse]),(s, but w-: e were surrounded b y sleep.　　Voice_- 3 T; he dictato?+rship of the proletar(iat is a desperate+\ +.struggle, bl+o):(-
od/=y] and b*/ l$[oodl+ess, vi(]o* lent a[*nd peaceful, mi@]lita[.ry $[ an;d .,economic, educati[_on@al a).nd administr%!a%tive@+, again*#^st the ?[forc.:es and\, traditio/ns o f the old$_*; wor! l; d.　　)[Voice 1 \=In this country it i!\s once ag. !ain the men o-f ord[e.$r who$^ [ have r-e=+#belled.\^ T+hey h@ave reinforce;#)d [$t /h\+eir powe 
r@@. They have been able to (aggravate the grotesquene[ss $=(+of the ru@ :ling con)diti(ons according to thei`$(r will. The\=?y have emb%ellis\h`ed [
?their system wit`;h the fu@)nerea*l? .
,ceremo(%nies of%/ the[* $pas.t:+.　　Voice 2 Years :$.,, like ,]=a. s:`ingle insta*=$+nt prolonged to this point, come to an end.　　Voic[-)e 1 Wh  at was directly lived reap^-_pears fr? !o_\#\zen in the _`dist*- ance, fit into the tastes $(
and ill?;+usi`-ons of an era, ca^[rried away with_ it.　　Voice 2 The $ap;peara[ n#:ce #,@of event# /s that )we have 
not m%ade, that ot`? ]hers have m*ade again;!st us, now obliges u*s/_. ^ @t*,\o be aware /
,of the passage of?-\ ti^me, i
!ts. ;result$s, the%! transform+ation! of our
/= o+,wn d!e -;sires into events.` What di;;fferentiate?s`/ the?[ past from the +pr;e[:sent][ is p\recise@%-ly its out-of-re=ach  $ob
jecti`
 vit) ?y; there_; is no m / ore %?shoul/d-be; bein;g is -)so co#.nsumed t\.hat it^[ has c.eased (/)to exist. The details are alre+ady l`o]st in ]the. dust of time+:. #%%Wh_o was afraid of life, afraid of t*h@``.e night, af.!raid : @of being %_;t ake /n, afr\[a\-%id [+of being kept;@#　　Voice (3 What should be abol,]ished c*.o$*/ntinu@^es, and we continue to wear a:=#way with i-t. We ar;]e engul_fed. We ;$]are separat_ed. The years pa^ss [% and we! haven't -`_cha_
-nged a.#nythin!^g:?-./`　　Voice 2 O\ nce again mor^$ ning i[.n? t%he same s tr_*.e`^ets. Once again , the fati?[gue of  ]s@-.o ##:many si/(mi=lar]]]!ly pass?!.\e`,d nights. It i`.-;s a walk `that ha?!s!% lasted a lo+ng;! time.　　Vo?#i@-ce 1 Really,#$ ha \r= ^d to drink m
o=;re.　　Voice\!+ .2 Of?+ cou%*$rse o(ne migh$;,t make a [film of; it]. But eve( ,n if such a film%@# su!)cceeds in b!-:e ing as fu% ndamentally disconne-?
cted a`! nd unsatisf..ying@\ as the realit-y it deals wi%);th$, it @(will ne]v! er!]!? be more  than?  a re-crea *_tion ” poor and +:fa
lse l)ike this botched traveling sho*$t.　　Voice 3 There are n?-ow peo.
`)*ple who pride t*he@_ms:/!+elve)#s @@(on being @?[authors of films,- #.a?s othe#]rs were aut$!ho?[?rs of novels . They are  _ev.e^=n more b_ ackward than the \!nov;`elist#,s b];ecause they #*are un=aware of .the/$ +
decomposit _ ion and exhau;stion of individual expr;/ession in ou;+r time, ig!]n;^orant o;,f t-_-+he; end of the ]arts of pas  sivity. The$y (are praised for their sincerity
\ s-in!`%ce t,hey dra/matize, [wit?+h. mor
e personal depth, %[^t-+he# conventions of whic=h.*` their ./life consists. The[()re *$is \\t -alk \of the_+#[ l,iberation of t!;he c/`?inema. But what does it matt@$er to us if one m_$ore art? is liber *ated
thro+#u ?gh wh/;ich Tom,_@, Dick or Harry c! an joyousl;[y, express the`i-))r sla: $v is^!h sent[i /? ments The o##*nl]*,y= interes[]#t
i+`[n g?(! v\^enture is+ the liberation of ever@y day ]l?[ife_, `#n \/o()t on ly ;in the ) %
perspecti$[ves[[+` *_#of his*,tory b=[[ut for us an%-d right\= away. This entails(\- the withering awa!)y of#[ alien_,!ate ] d !,-f))orms \ of c +ommu)nication. The cinem/
a, too;=, has to be de.stroyed.　　Vo.;ice= 2 I.n  t\+he- f[]:]inal ))a!n,:alysis, stars *)are created__ by the n;:$eed w `,e have)= .for_ them, and no=t by t^%heir talent or l[ac. k of talent! or ev\ ,en by ( the `? film i`ndus,try !o%$`r ad @[v_]ertising. Mise-rable need, $_dismal!, `anonymous life: tha\[ t would li/)ke% to expand itse[lf
#  to the dimens`_ion/^s of cinema life$(. The imaginary life :@ on(@: t*(@.he scr$ ;/een!^ is- the product of thi s  real nee+^`d. The
] star is @.t-he_* projectio;^.n of [+$this need.　　The images of the advertise.ments d
!*uri-@ng
the intermissions))\ a^ re more su ited than any o*@,t^!!hers for evoking`?_ an intermission of life?\.　　:T-+o really describe this ]
_era 
it would n,%o doubt be ne;cessary ( to,% s !h ;ow many o`^ther things. But w_;h[%at would\) be t] he p)!oin
`
t　　Better to$^ gr[:
asp the totality of what has been done and what remains to
be#+( d;one :
th*an t\o add mo#`r%^e r;uins to^; #^the? old ;/-world of the spect):@a
cle#^ and(!= of @memories.　　1. Th#.i!s film, =@^whi;ch e`voke\s =;t@]he let-`_t``(,rist exp;eriences at the origi@*=n of the situati_@$onist #%#m ovement, opens with s#hots of the@ ` Paris= district f?
re\@que)nted b(!)y the lett- ri]sts= in the early 1950s. 本页整理剧情介绍、演员阵容、播放线路和更新时间，方便用户快速了解影片并继续观看。

一、《关于\!*$在短时间内的$+某几个人的经过》是哪一年上映的？

《关于\!*$在短时间内的$+某几个人的经过》是居伊·德波参与创作的剧情片作品，1959年在法国地区推出。

二、《关于\!*$在短时间内的$+某几个人的经过》有哪些演员？

该片由等演员主演，人物关系、情绪变化和叙事节奏共同构成影片的主要看点。

三、在哪里可以观看《关于\!*$在短时间内的$+某几个人的经过》？

宅男影院（www.dnt1.com）提供《关于\!*$在短时间内的$+某几个人的经过》在线播放入口，并整理清晰的选集列表与播放线路。

四、如何评价《关于\!*$在短时间内的$+某几个人的经过》？

从类型表达、演员表现和剧情推进来看，《关于\!*$在短时间内的$+某几个人的经过》适合喜欢剧情片内容的观众，页面也会持续更新相关播放资料。